Harold George Belafonte, Jr., was born in Harlem, New York, on March 1, 1927. At the age of eight he returned with his mother to her native Jamaica, the son of Caribbean-born immigrants, where he remained for five years. Belafonte left high school to join the U.S. Navy upon his release and moved on to New York City for his career as an actor. He was performing with the American Negro Theater while he studied dramatology at the famous Dramatic Workshop of Erwin Piscator, along with the liks of Marlon Brando and Tony Curtis.
A series of cabaret gigs resulted in a singing role and Belafonte built up his own club. Initially, he put his smooth, silky voice to work as a pop singer, commencing his recording career on the Jubilee Label in 1949. In the early 1950s, however, he discovered folk music, learned material from the American folk song archives of the Library of Congress and discovered West Indian music. Belafonte immediately began his career in the famed jazz bar of Village Vanguard with guitarist Millard Thomas.
Belafonte catapulted to the limelight, leading Otto Preminger’s film adaptation of Oscar Hammerstein’s Carmen Jones; following signing onto the RCA label, he released Mark Twain and Other Folk Favorites, which in the early weeks of 1956 reached the number three slots on the Billboard chart. Calypso was also published in 1956 and overtook the charts for a staggering 31 weeks with singles such as “Jamaica Farewell” and the legendary “banana boat (day-o).”
His second attempt, simply entitled Belafonte, came number one and started off a national frenzy for calypso music. After the success of Belafonte’s 1957 An Evening and its hit “Mary’s Boy Child,” Belafonte returned to movies, making use of its significant influence to accomplish the controversial Sun Island film, in which his character looked at an affair with a white woman portrayed by Joan Fontaine. Similarly, Odds Against Tomorrow portrayed him in 1959 with the racial accomplice as a bank robber. In 1959, too, he published the LP Belafonte at Carnegie Hall, which recorded a sales show from April, which lasted for nearly 3 years in the charts; followed in 1960 by Belafonte Returns to Carnegie Hall and featured the Odetta, Miriam Makeba and Chad Mitchell Trio.
By the turn of the 1960s, Belafonte became the first Black TV producer, and the same year won an Emmy his special Tonight with Harry Belafonte. While unhappy with filmmaking, he continued his prodigious album production with the 1961 Jump Up Calypso and 1962 The Midnight Special, which featured Bob Dylan, the teenage harmonica musician. As the Beatles and other artists of the British Invasion started dominating the pop market, the impact of Belafonte decreased as a commercial force. Belafonte was his last best 40 at the Greek Theater in 1964, and following attempts such as the 1965 An Evening with Belafonte/Makeba and the 1966 In My Quiet Room even fought to split the top 100.
Homeward Bound in 1969 gave Belafonte his last appearance as a billboard chart, though it kept recording. In the 1970s, he then made his first film appearance The Angel Levine and focused on his work as a civil rights fighter. Belafonte spent a growing number of the ’70s and ’80s as a tireless humanitarian, as well as his continued recording and filming (1972’s Buck and the Preacher and 1974’s Uptown Saturday Night); he was mostly a central figure in the U.S. in his work for Africa singing on his 1985 single, “We Are the World.”
A year later, he replaced Danny Kaye as Ambassador of UNICEF Goodwill. Belafonte resurrected in the mid-1990s following a long hiatus from the cinema with a variety of film appearances, notably in the reverse racistic play White Man’s Burden and Robert Altman’s Kansas City. Although Belafonte stopped recording new songs, it kept its name in the news with the occasionally released live CD (including the An Evening with Harry Belafonte & Friends in 1997) and was a clear proponent of Venezuelan President Hugo Chavez and a Bush administration opponent.
In late 2010 his political and social activities reappeared when he organised a professional anthology, The Legacy of Harry Belafonte: When Colors Come Together, which included a republished version of “When Colors Come Together (When Colors Come in the Sun).” This version, originally created for his Sun Island by Belafonte, incorporated an interracial children’s chorus to strengthen its subject of inclusiveness.
|Popular As||Harry Belafonte|
|Age||94 years old|
|Born||1 March 1927|
|Town/City||Harlem, New York|
According to starphonenumber.com, He is one of the prominent Singer. He has come into the list of those popular people who were born on 1 March 1927. He is one of the most Richest Singer who was born in America. He is one of the popular Singer in our database at the age of 94 years old.
Not much is known about his physical stats and body measurements.
Not much is known about his dating life.
Not much is known about his family.
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The actual income of growing continuously in 2020-21. So, how much is the income of Harry Belafonte? What is Harry Belafonte’s earnings per year, and how affluent is he at the age of ninety four? We approximate Harry Belafonte’s net income, cash, worth as per in 2020-21 given below:
Harry Belafonte is an admirable Star with a net income of $1 million-$28 million at the age of ninety four.Harry Belafonte’s source of money seems to be mostly from being such a famous Star. He’s from the America.
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