Virginia Heffernan is an American journalist and cultural critic. She was born on August 8, 1969, in the United States. She has been writing political columns for the Los Angeles Times since 2015, and she has been writing cultural columns for Wired since the same year. She served as a staff writer for The New York Times from 2003 to 2011, initially as a television reviewer, then as a magazine columnist, and last as an opinion writer. Her tenure there spanned the years 2003–2011. In addition, she has served as a senior editor for Harper’s, the founding editor of Talk, and a TV reviewer for Slate.
All of these positions were held simultaneously. In her book published in 2016, Magic and Loss: The Internet as Art, she argued that the Internet is a “massive and collective work of art” that is a “work in progress” and that the purported shortening of people’s attention spans as a result of their increased use of the internet is a myth. Her book was titled “The Internet as Art.” Hanover, New Hampshire is the location of Virginia Heffernan’s birth. She received a baccalaureate degree with the highest honors from the University of Virginia (1991). She graduated from Harvard University with a Master of Arts in English Literature in 1993 and a Doctor of Philosophy in English Literature in 2002. When Heffernan first entered the workforce, she worked for the magazine The New Yorker as a fact checker.
She was a senior editor at Harper’s and the founding editor of Talk magazines in addition to serving as the television critic for the online publication Slate. [source: missing citation]Heffernan was recognized as one of the “Ten Young Editors to Watch” by the Columbia Journalism Review in the month of June 2002. Heffernan left Slate in September of the year after and started working for The New York Times shortly afterward. While she was there, she initiated the website blog known as “Screens” for the New York Times website; this blog would later evolve into “The Medium” (named after her column).
She started working as a national correspondent for Yahoo News in February of 2012, during which time she covered the presidential election of that year and wrote about topics pertaining to the media, technology, politics, and society. Heffernan started writing a series of pieces for Yahoo News about her experiences with Google Glass OHMD in June of 2013. The series is titled “Glass Menagerie,” and it began in that month. Heffernan is a frequent contributor to numerous publications, including The New York Times, The Wall Street Journal, Wired, Mother Jones, and Politico, amongst many others.
His work has also been published in The New Yorker. Heffernan employs several modes of literary critique in the articles on culture and technology that she writes for her journalism. Her work frequently focuses on the human aspect of technology and culture in general, and she encourages a wider and more critical range of thought in relation to more recent technological developments. In addition to producing written work on the topic, Heffernan is also quite active on many social media platforms. She keeps an active Tumblr blog, publicly makes friends with her audience on Facebook, and tweets on a regular basis .
Heffernan published an article in July 2013 titled “Why I’m a Creationist”, in which she stated that she was “considerably less amused and moved by the character-free Big Bang story (“something exploded”) than by the twisted and picturesque misadventures of Eve and Adam.” [Creationists believe that the Big Bang is a myth that was invented to explain the origin of the universe.] She wrapped up by paraphrasing the author’s conclusion to the novel Life of Pi, which was written by Yann Martel: “1) Life is a tale, 2) You may pick your story, and 3) A story with God is the better story.” Heffernan expanded her position during a subsequent conversation on Twitter with the well-known science journalist Carl Zimmer, saying, “I’m a creationist on aesthetic grounds.
For her column, Heffernan received a lot of feedback that was negative. Her postmodern attitude was met with criticism, with many detractors quoting Daniel Patrick Moynihan in response: “Everyone is entitled to his own opinion, but not to his own facts. However, in an article published in The Guardian, Andrew Brown refuted Heffernan’s criticism of evolution and made the following points: “he is not at all someone who believes in the young earth creationist theory… but she is looking for tales in which the protagonists discover faith and fortitude in spite of the challenges they face, and she does not find these qualities in science but rather in religious traditions.” Beginning in October of 2018, Heffernan served as the host of the Trumpcast podcast for Slate. She conducted interviews with a variety of guests, including Yascha Mounk, Fareed Zakaria, David Corn, and others, in order to examine and criticize the presidency of Donald Trump. The concluding episode was shown for the last time on January 30, 2021.
After her work on Trumpcast came to an end in April 2021, Heffernan launched a new podcast entitled After Trump with Lawfare (blog), which she continued to host. Heffernan has been using the internet ever since she was 10 years old when she played a MUD at Dartmouth College using a Zenith computer terminal and a dial-up modem that she had at home. In June 2016, her book entitled “Magic and Loss: The Internet As Art” was published by Simon & Schuster. This book is about digital culture. In this post, Heffernan argues that the Internet is “the great masterwork of civilization, a gigantic and collaborative work of art. The book was well-received, receiving a starred review from Kirkus and making its way onto summer reading lists, including those compiled by Gwyneth Paltrow and Lenny Letter, amongst others. The New York Review of Books termed it “an exhilarating narrative of submission,” and The Wall Street Journal hailed it as “An insightful primer to the internet.” Paltrow referred to Heffernan as “One of the writers I most appreciate.
|Popular As||Virginia Heffernan|
|Age||53 years old|
|Born||8 August 1969|
|Town/City||Hanover, New Hampshire, United States|
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